{"id":13,"date":"2011-08-05T16:16:34","date_gmt":"2011-08-05T16:16:34","guid":{"rendered":"http:\/\/www.gabrieleedlbauer.net\/?page_id=13"},"modified":"2019-07-07T17:42:47","modified_gmt":"2019-07-07T17:42:47","slug":"cv","status":"publish","type":"page","link":"http:\/\/www.gabrieleedlbauer.net\/?page_id=13","title":{"rendered":"CV"},"content":{"rendered":"<p>Gabriele Edlbauer<\/p>\n<p>2006-2012\u00a0 enrolled at the Academy of Fine Arts \/ Vienna \/ Professor Monica Bonvicini<br \/>\n2012 Mag-Degree at the Academy of Fine Arts<br \/>\n2009-2011 enrolled at the Royal Institute of Art\u00a0 Stockholm \/\u00a0 Professors Peter Geschwind and Olav Westphalen<br \/>\n2011 BA-Degree at the Royal Institute of Art \/ Stockholm<\/p>\n<p>Exhibitions (Selection)<\/p>\n<p>2019<br \/>\nGOMO@\u00dcber das Neue, Belvedere 21, Austria<br \/>\nCaviar on Instant Noodles, Kulturforum Moscow &amp; Mauve, Moskau &amp; Vienna,\u00a0Russia &amp; Austria<br \/>\nHow much is the Fish, ACFNYC, New York, USA<br \/>\nD\u00e9j\u00e0 View, Hoast, Wien, \u00d6sterreich<\/p>\n<p>2018<br \/>\nGay as a march hare in fall, VBK\u00d6, Vienna, Austria<br \/>\nMittelbau, Skulpturinstitut, Vienna, Austria<br \/>\nLentos Freund Preis, Lentos, Linz, Austria<br \/>\nGap, Petrzalka, Bratislava, Slovakia<br \/>\nBad Decissions Tell Good Stories, KS Room, D\u00f6rfl, Austria<\/p>\n<p>2017<br \/>\nDates, Gabriele Edlbauer and Julia Goodman, Kylie&#8217;s new living room, Detroit, USA<br \/>\nAlice Lettuce, Kluckyland, Vienna, Austria<br \/>\nDie M\u00fcdigkeit II, Pina, Vienna, Austria<br \/>\nMad Cow, SCAG, Vienna, Austria<\/p>\n<p>2016<br \/>\nMauersegler, Schulhofpassage, Vienna, Austria<br \/>\nBijou, Pinacoteca, Vienna, Austria<br \/>\nAWAY, bka, Vienna, Austria<br \/>\nDas Meerschwein, Elektro G\u00f6nner, Vienna, Austria<br \/>\nSmoky Beige and The Magic Flute, One Work Gallery, Vienna, Austria<br \/>\nPain Point Schicht, Luckman Gallery, Los Angeles, USA<br \/>\nGiuliani, Musa, Vienna, Austria<\/p>\n<p>2015<br \/>\nPeer Group, Mistelbach, Austria<br \/>\nPreise und Talente, Linz, Austria<br \/>\nBortolotti Delirio, Vienna, Austria<br \/>\nEssen,YIX, Domenikgalerie, Vienna, Austria<br \/>\nParallaxe 9, Memphis, Linz, Austria<\/p>\n<p>2014<br \/>\nBanish the Sandwich Winning the Inning, OK Offenes Kulturhaus, Linz, Austria<br \/>\n[gabi\u02d0&#8217; \u028ant odi\u02d0&#8217; fy\u02d0\u0250\u032f si\u02d0&#8217;], Gabriele Edlbauer und No\u00eble Ody, Galerie 5020, Salzburg, Austria<br \/>\nBlack Sea Calling, Art Today Assosiation, Plovidv, Bulgaria<br \/>\nRed Gate Residency, Beijing, China<\/p>\n<p>2013<br \/>\nContemporary Istanbul, OMV Special Projects, Istanbul, Turkey<br \/>\nBlack Sea Calling, &lt;rotor&gt;, HilgerBROT Kunsthalle, Vienna, Austria<br \/>\nWeld or Die, Gabriele Edlbauer und Salong Flyttkartong, Ve.sch, Vienna, Austria<br \/>\nIn der Kubatur des Kabinetts, fluc, Vienna, Austria<br \/>\nis my territory, Christine K\u00f6nig Galerie, Vienna, Austria<br \/>\nWiener Achse, Grelle Forelle, Vienna, Austria<br \/>\nXposit, Academy of Fine Arts, Vienna, Austria<br \/>\nJahresgabenausstellung, Das wei\u00dfe Haus, Vienna, Austria<br \/>\nFrankstahl, Vienna, Austria<\/p>\n<p>2012<br \/>\nparaflows .7, Reverse Engineering, Das wei\u00dfe Haus, Vienna, Austria<br \/>\nCaprihosenzeit, Gabriele Edlbauer &amp; No\u00eble Ody, galerija 101, Kaunas, Lithuania<br \/>\nThe Standard Model, \u041a\u0418\u0421\u0418, Krasnodar, Russia<br \/>\nAuch wenn wir weit von einander entfernt sind, so sehen wir doch das Gleiche, TKW, Cologne, Germany<br \/>\nJahresgabenausstellung, Das wei\u00dfe Haus, Vienna, Austria<br \/>\nRauchgefechte, Akademie der bildenden K\u00fcnste, Vienna Austria<\/p>\n<p>2011<br \/>\n\u0424\u0415\u0421\u0422\u0418\u0412\u0410\u041b\u042c \u041f\u0410\u0411\u041b\u0418\u041a \u0410\u0420\u0422\u0410 \u201d\u041c\u041e\u0416\u0415\u0422\u201d, Krasnodar, Russia<br \/>\nBa-Degreeshow, Konstakademien, Stockholm, Sweden<br \/>\nGallery hint of mint, Stockholm, Sweden<br \/>\nThere Was A Job To Be Done And Everybody Was Sure Somebody Would Do It, Kunstraum Nieder\u00f6sterreich, Vienna, Austria<\/p>\n<p>2010<br \/>\nSumiko, MAU, Tokyo, Japan<br \/>\nThe Panoramic Interchange Project, Galleri Mejan, Stockholm, Sweden<br \/>\nAm Rande der Balance, Paradoxien&#8230;, Galerie 5020, Salzburg, Austria<br \/>\nFAST FORWARD\/FAST FORWARD\/STOP\/BACKWARD\/, Black Box and Borderline Centre for Foreign Contemporary Art, Stockholm Sweden<br \/>\nKKH BBQ, Skulpturenpark Berlin Zentrum, Berlin, Germany<\/p>\n<p>2009<br \/>\nFunky Machines, Das wei\u00dfe Haus, Vienna, Austria<br \/>\nLule\u00e5 Art Biennal, Lule\u00e5, Sweden<br \/>\nVagina Dentata, Art Concept Store, Stockholm, Sweden<br \/>\n1-10, Galleri Mejan, Stockholm, Sweden<br \/>\nTransportband, Borderline Centre for Foreign Contemporary Art, Stockholm, Sweden<\/p>\n<p>2008<br \/>\nARCHIVE IN RESIDENCE, Galeria UNA, Bucharest, Romania<br \/>\nand VBK\u00d6, Vienna, Austria<br \/>\nDIE ZELLE, Vienna, Austria<\/p>\n<p>Grants<br \/>\nAuslandsatelier Istanbul, bka, 2016-17<br \/>\nTalentef\u00f6rderungspr\u00e4mie, Upper Austria, 2015<br \/>\nSTARTstipendium, bka, 2015<br \/>\nAuslandsatelier Beijing bmukk, 2014<br \/>\nKarl-Anton-Wolf-Preis, 2012<br \/>\nBlack Sea Calling, 2012<br \/>\nSigrid Fridmans Fond, 2011<br \/>\nTravel grant, Musashino Art University, Tokyo, 2010<br \/>\nKUNO travel grant, Nordic panoramic interchange project, 2010<\/p>\n<p>Teaching<br \/>\n2013-14 and 2015-16 University Assistant, Department: Sculpture &#8211; transmedial Space, University of Arts and Industrial Design Linz<br \/>\n2016-19 University Assistant, University of Applied Arts Vienna<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Gabriele Edlbauer 2006-2012\u00a0 enrolled at the Academy of Fine Arts \/ Vienna \/ Professor Monica Bonvicini 2012 Mag-Degree at the Academy of Fine Arts 2009-2011 enrolled at the Royal Institute of Art\u00a0 Stockholm \/\u00a0 Professors Peter Geschwind and Olav Westphalen 2011 BA-Degree at the Royal Institute of Art \/ Stockholm Exhibitions (Selection) 2019 GOMO@\u00dcber das [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"http:\/\/www.gabrieleedlbauer.net\/index.php?rest_route=\/wp\/v2\/pages\/13"}],"collection":[{"href":"http:\/\/www.gabrieleedlbauer.net\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.gabrieleedlbauer.net\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.gabrieleedlbauer.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.gabrieleedlbauer.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=13"}],"version-history":[{"count":50,"href":"http:\/\/www.gabrieleedlbauer.net\/index.php?rest_route=\/wp\/v2\/pages\/13\/revisions"}],"predecessor-version":[{"id":987,"href":"http:\/\/www.gabrieleedlbauer.net\/index.php?rest_route=\/wp\/v2\/pages\/13\/revisions\/987"}],"wp:attachment":[{"href":"http:\/\/www.gabrieleedlbauer.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=13"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}